The bond between opposite polarities

Yeh hosla kaise jhuke yeh aarzoo kaise ruke

..Yeh hosla kaise jhuke yeh aarzoo kaise ruke

....Manzil mushkil to kya dhundala saahil to kya

......Tanhaa yeh dil to kya ho........

Raah pe kaanten bikhre agar

..Uspe to phir bhi chalna hi hai

....Shaam chupaalen sooraj magar

......Raat ko ek din dhalnaa hi hai

Rut yeh tal jaayegi himmat rang laayegi

..Subah who phir aayegi ho........

Yeh hosla kaise jhuke yeh aarzoo kaise ruke

..Yeh hosla kaise jhuke yeh aarzoo kaise ruke

Hogi hame ro rahmat ada

..Dhoop kategi saayen tale

....Apni khuda se hain yeh dua

......Manzil laga le hamko gale

Jurrat so baar rahen ooncha ekraar rahen

..Zinda har pyaar rahen ho.......

Yeh hosla kaise jhuke yeh aarzoo kaise ruke

..Yeh hosla kaise jhuke yeh aarzoo kaise ruke

For the sweet depiction of all those small pleasures in life……

For the portrayal of those stolen moments of pleasure……

For the contrast in the reaction/ response of the protagonists to the obstacles in their lives…….

For the breath-taking cinematography capturing the colours of Rajasthan and the locales of Himachal Pradesh…..

For the colours …. omnipresent and all-encompassing….if only one can sense its vibrancy…..

For the portrayal of freedom ...what it means to people...the depth, the difference....

For the director to exact a natural performance from an off-beat star-cast……

For Ayesha Takia, her child-like innocence so wonderfully essayed…..

For Gul Panag, that intensity of strength, emotions and character so evocatively conveyed by those eyes….and according to SBA, those wonderful dimples :-)……

For the histrionics of Shreyas Talpade :-) …….

Can the fates of two lives poles apart be so intertwined that the future of one depends on the present of another?

Watch Dor…..